20120805
20120801
zumthor speech in 2009
As I get older, I think I got some kind of a… I’m sort of secure that I can do this—be a boy, and in being a boy and dreaming, doing something. “When I like it, you will like it, too, because I’m not so special.” Now comes this moment when I get this prize. And I think now, and I start to feel that dreaming becomes even easier. Maybe I can. You help me to go on dreaming even stronger.
20120523
response
musical dining by fumiaki goto
There are a lot of sounds and noises around us.
This tabel has a mechanism like a marimba. When you put objects on various points of it, you have hear various sounds.
For example, you hear a high tone when you knock a short wooden bar and you hear a low tone when you knock a long wooden bar.
Having dinner on this table will be transformed into a marimba playing experience.
There are a lot of sounds and noises around us.
This tabel has a mechanism like a marimba. When you put objects on various points of it, you have hear various sounds.
For example, you hear a high tone when you knock a short wooden bar and you hear a low tone when you knock a long wooden bar.
Having dinner on this table will be transformed into a marimba playing experience.
if architecture could response in such a sensitive manner,,,
Santuario Della Madonna Delle Lacrime, Syracusa, Sicilia.
amazing internal space with the nature sitting right next to you within the same enclosure.
though it's a church (or anything holy)
would be great to turn into concert hall sometimes,
20120512
20120504
20120501
untitled
peter zumthor
20120221
another layer and the charged void
inspired by alison and peter smithson, the existing layer of void is transformed into a charged identity of movement.
20120120
20120119
20120118
雁过留声，人过留名
歷史沒有將歷史記下，中國人大都讓斷章的思想記憶傳到下一代，令他們載著只有輝煌的片刻，忘記著剩餘的過去；把時間及空間折疊堆砌，將真理埋葬。
「去龙陵看望两位老兵，饶广林和付心德。当时只有自己在腾冲，租了一辆车自驾过去，走的是腾冲到龙陵老山路，山连着山。有一段盘山的土石路特别不好走，我没什么经验车速也没降下来，开得很快。迎面来一个运货的大车急转弯，占了我的车道，我一把方向猛往外打，土石路刹车也不灵，差一点冲下山崖。到了龙陵拍摄采访还算顺利，拍摄结束后109岁的少校军医付心德坐在竹椅上盯着我说，雁过留声，人过留名。然后轻叹一声，身子一软躺在椅子上，接着仰望天空，眼睛里闪烁着什么。刚经历死里逃生的我眼睛模糊了，似乎感受到了时间的节点永远凝固在了那段尘封血染的岁月。片刻，再看老人，没有的是当年硝烟弥漫的金戈铁马，有的只是风烛残年的如泣如诉。」
攝影師：栾盛杰
中國遠征軍肖像
攝影師：栾盛杰
中國遠征軍肖像
20120111
20120102
20111212
20111202
20111119
20111109
20111106
B3, A+PS
" In calling our collected works THE CHARGED VOID: ARCHITECTURE, we are thinking of architecture's capacity to charge the sapce around it with an energy which can join up with other energies, influence the nature of things that might come . . . a capacity we can feel and act upon, but cannot necessarily describe or record."
Peter Smithson, 1992
how close are they.
2 feet transition
Through this meeting, the volatile is released into the space of the room.
At the moment when the man interprets it and engage himself in space with his acts,
a new totality with the nature will then be reconfigured for his being.
Rolf says, alice in the wonderland, mirror in the mirror,
did we acheive that by now?
20111104
Unite d’Habitation
“The sun gets in everywhere, as does the air. The garden is paved with red tiles, its walls are hung with ivy and clematis; laurels and other shrubs cluster thickly in large cement pots ; the place is gay with flowers ; this is a real urban garden easy to keep up. There is a table sheltered from the rain where the household can eat ; one can converse or rest in the open.”
20111103
20111102
how to live again in progress
Almost three months have passed for diploma semester, and the project is getting hard. The territory which is an extremely ordinary pubic housing block in hong kong offers us with unlimited local residential traces and identity, but also large restrictions of the existing spatial arrangement and structural integrity.
We attempted to attack the construction with the idea of 'offering': what is the construction longing for, and what are the people searching for, together with the mountain climbing experience and implosion of home territory, we tried to discuss the relation among human behaviors, high man-made structure and the essence of nature.
Though it's getting tiring to 'move' around within the structure in our imagination, we believe the project has a high value of stimulation especially in such a high-density and machine-like city. Now we just have to trust what is already there and the offer of the construction, and let's hope the outcome could be an initiation of our awareness on how we live today.
20111018
20111017
楊守玉
「創始于本世紀20年代的亂針繡，其創始人為楊守玉教授。由于她擅長刺繡的針法技巧，又嫻熟西洋繪畫，因此決心“越傳統針法之規”，創造出了最新的刺繡藝術——亂針繡。亂針繡完美結合中國刺繡與西方油畫的理論與技術，顯示出刺繡的三維效果、作品的空間立體感和變化的色彩。」
20111011
A+PS : golden lane
Man may readily identify himself with his own hearth, but not so easily within the town which he is placed. ‘Belonging’ is a basic emotional need – its associations are of the simplest order. From belonging and identity comes the enriching sense of neighbourliness. The short narrow street of the slum succeeds where the spacious redevelopment frequently fails.
Team 10 response to the CIAM 8 report 1951
(Modern architecture, a critical history p.271)
20111007
steve jobs
he passed away yesterday, together with one of the most creative mind of the era.
the architecture turns into a memorial,
it was not just only a symbol of the company or the luxurious icon anymore...
20111001
metropol parasol
i came across this project during third year in hku, and it was completed already this april. the result is amazing and is much more atmospheric than the renderings. however the cost of the construction was 90 millions euro.. it is really difficult to say whether it's worthy to spend such a large amount on this sort of 'sculpture', but the community effect could be extremely huge especially for tourism and local branding.
20110925
6000 steps
the term 'architect' did not exist in china until the modern time, while the western society started to seriously influence china. before the time we were categorized as 'craftman', who bore the job to design and construct. theoretically everyone could become an 'architect', as long as we possess the desire to construct.we no longer possess the same crucial skills as a craftsman does, and we neglect the importance of craftsmanship - one fundamental element of architecture. but we are now positioned within the professional framework of the current society.
there was the story about a man using 50 years of his time, building 6000 steps stairs on a mountain for his wife. it came out from the fundamental need of human desire, and behavior of nature becomes part of the construction.
no matter how the environment changes, it silently witnesses and takes on the traces through time. this is truly architecture.
20110915
weird collapse
came across the old 'news' that a 13-storey building collapsed entirely in shanghai
the photos are just like pieces of photoshop edited... damn
the photos are just like pieces of photoshop edited... damn
20110913
architecture and fashion
In 1926 coco chanel announced her 'little black dress' which was described as 'chanel's ford' by Vogue, as if it was the Model T in the fashion field. It was not only about the outstanding style in fashion in the time, but most importantly the desire of liberty that frees people from the constricting lifestyle. However at the same time, it was so personal.
Today, fashion is an everyday life practice for people, while the breakthrough in 1920s was merely mentioned or remembered. It seems the desire of escaping the current construct through understanding humanity or present issues are overwhelmed by visual exaggeration.
It sounds the same to us in architecture circle, or out in the real practice. Since the 50s modernism rules almost everywhere on the earth, even there were groups like Team X who tried to drag the trend back to a way of concerning humanity, or simply lives of individuals. Sadly they did not end with great success. Nowadays in any different magazines or blogs, 'photography architecture' becomes more and more popular, as they can be captured in just a second and the photos are then being published through the excessive information exchange. This is unlike the classic master pieces and undoubtedly many other architecture by unknown architects, where you could get the other layer of experiences by visiting those constructions even after looking at the photos.
Putting everything into clean and white setting becomes one of the most popular or easy ways to handle architecture. By doing this you can ignore the cultural and historical background of the locations and the individuals' uniqueness. They will present the construction as a background that allows people to express themselves with the most efficient way, like most of the pure white gallery space.
For our generations, architecture does not mean only the construction from a ground-zero setting, but also about transforming the existing environment through the adaptation of time. While the excessive materials world and constructional gestures overwhelmed our natural human behavior and fundamental desires, we are blinded by architecture. Minimization maybe one answer, or we should say it's more a comment on the current situation. Subtraction and distortion of familiarity and everyday perception would reduce the unnecessary gestures of life, and the conscious additives of individual behaivors.
Um.. what could actually help a bit on this situation? Maybe this is also something we would like to figure out in the fall.
20110908
Fabric formwork - Miguel Fisac
20110906
20110802
20110717
normal
peter sumthor.serpentine gallery pavilion 2011
architectural students have spectacles way too far from everyday life and comfort
.
20110716
20110624
20110623
resistance
so lebbeus woods seems to be a lot earlier than us in this age who thought of the relationship between architecture and resistance, but of course there were kenneth frampton or christian norberg schulz...... or whoever experienced something that one must resist, in order to protect our cultural continuation and next generations.
'instead of thinking themselves as resisters..... rather we must create an independent idea of both architecture and the world...'
if we want to resist the monolithic living behaviors, resist the evil developers, resist the idea of speechless acceptance on everything.... we shall all together build up a new idea of us and nature, if possible through the strength of architecture.
'instead of thinking themselves as resisters..... rather we must create an independent idea of both architecture and the world...'
if we want to resist the monolithic living behaviors, resist the evil developers, resist the idea of speechless acceptance on everything.... we shall all together build up a new idea of us and nature, if possible through the strength of architecture.
20110526
20110314
beijing, architecture of information.
Subscribe to:
Posts (Atom)