Hands On

recognizing and understanding the precision of each has also given a deeper insight into the Nordic design heritage that evolved from small local workshops over a century ago.

'monads have no window'

he seems to be able to translate the philosophical idea into construction, his interpretation of architecture from metaphysics. he rejected the 'window' and faced the spiritual challenge of making particularized architecture, it's the insistence of dissolving form but not interface. the attempts of creating the un-objectified architecture are the life-long experiments of his own philosophy, while it cannot be done by certain programmatic approach or from any one-liner architect. it involved the search of one's own language and belief.