20100627

His wonderful architecture stays.



...That is a key word for architecture. You have to find a story to tell, which is a difficult thing to do when beginning to work. There is also a danger of the architecture becoming little too literary...

... I experimented a little with concrete. Europe was very interested in that corner where I used big beams. That opened up a new way of thinking about rooms. It is the opposite of Louis Kahn, for whom the principle was where the construction is; there is no light, whereas I was saying that where the construction is, there you find the light. You reverse the philosophical or constructive concept in that way. It is a very simple construction. It is a very simple movement....

Interview with Sverre Fehn 03 02 2009

20100608

pavilion



20100607

20100508

illusional monument











the fastest, biggest and most volatile space that we have ever built


20100501

BMW gina light vision model 2008

material exploration is not only for cooler form

20100427

Magnetic Curtain in 2008 by Florian Kräutli

DSC_3151.JPG copy

"A curtain which you can shape to any form."

isn't it a fascinating use of digital fabrication? amazing visual, physical and sensational experiences are embedded into this wide-spread use of triangular fabrication, and we as architectural students only produced repetitive visual crap from the technology....

only brilliant idea can survive from this high-technological world as everything is getting too easy to manipulate. but of course we can still be a shitty one-liner and 'exploring' fascinating visual crap from extremely complex digital crafting tools as the teachers are demanding the same crap... the true meaning of material and geometrical performance can have no way to survive from the main stream of architectural education.

http://www.kraeutli.com





20100419

ridiculous carpark...?

點先, what the fuck (translation for saulius)

http://www.dezeen.com/2010/04/19/1111-lincoln-road-by-herzon-de-meuron/


20100413

inflatables!

20100408

my playground

you don't stop playing because you grow up,
you grow up because you stop playing.


MY PLAYGROUND - PREVIEW from KASPARWORKS on Vimeo.


20100407

(UN)WALL, posted by boiteaoutils

it's done in 1972, we never move forward.


https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxeG7EMt-9emA0uDWWu-WFogeJNDhAdaWlpyWszmzDSFMrHkBiTDPB8uGfpEl6a16XJkAN4BRCNqppfbO6WPuODGzKhbBrx8twePpTL6fUPtt8ix7xeX1uXJG_4KZY1_jZb0x2OPI1qFA/s1600/Exodus7.jpg


Exodus or the Voluntary Prisoners of Architecture is the final AA 1972 thesis of Rem Koolhaas, Madelon Vreisendorp, Elia Zenghelis, and Zoe Zenghelis. It elaborates a narrative of a walled city within London similarly to the Berlin situation at the time. This city, like West Berlin, is considered as a shelter that people access and thus become voluntary prisoners of architecture. The condition of the "liberty" here is paradoxically the imprisonment.

Here is the text supplied by the MOMA which owns the original drawings:
These drawings come from a series of eighteen drawings, watercolors, and collages called Exodus, or the Voluntary Prisoners of Architecture. The dense pictographic storyboard reflects Koolhaas's earlier stints as journalist and screenwriter and is intended to be read simultaneously as a factual and a fictional scenario for the contemporary metropolis.

The title of the project alludes to Cold War West Berlin, a restricted enclave encircled by a forbidding wall—in effect, a prison on the scale of a metropolis, and one in which people sought refuge voluntarily. Exodus proposes a walled city in a long strip, with tall barriers that cut through London's urban fabric—an intervention designed to create a new urban culture invigorated by architectural innovation and political subversion. Here Koolhaas and his collaborators use collage to create vivid scenes of life within these visionary urban confines.



boiteaoutils

MOMA

20100405

intersection of art and engineering

20100401

Musée national des beaux-arts du Québec by OMA

the real globalization!


and... layered boxes with 'interesting' circulation and experiences.
the recycled concept of OMA...? where is the breakthrough?
Musée national des beaux-arts du Québec

Paul Milstein Hall Cornell University
Extension to the College of Architecture, Art and Planning


OMA- Kunsthal, Rotterdam, 1992 by roryrory.
Kunsthal

http://spaceinvading.com/bookmarklet/Images/1103091236834205skitched20090311215911.jpg
Seoul National University Museum



http://www.oma.nl/

20100329

no Ya-Ya, people want architecture at a Great Value

extensive criticism....


"...The primary design driver that has made the period of ya-ya so damaging to the profession of architecture is that the architectural one-liner was back and in a big way. This is damaging, because young students studying architecture in universities focus on developing clever solutions to architectural problems rather than learning a critical design process that they can use and develop as they grow as an architect..."

"...The distillation of the architectural construction and design process is in fact the major cause of the rapid growth in architectural one-liners. The architectural one-liners are also the result of Generation Y designers whom are not capable of developing architectural concepts in the same meaningful way that Louis Kahn was able to elaborate upon a simple concept like ‘bringing the book from darkness to light’ in his design for Exeter Library, which is unquestionable a masterwork of architecture..."

"...Decoration will be forgotten and function will again rule, but this time architecture must respond in a way that it has not had to in the past. The next movement in architecture must be not be only concerned with function alone, architects will be pushed to provide an architecture of Great Value..."

"...First, what is Great Value? Great Value is the response to social and environmental demands of today’s consumers..."

"...At a time when many people are struggling just to put food on the table, the construction of buildings in the style of ya-ya is of very poor taste and is culturally unacceptable during this period of change. Whenever a change in style occurs there is state of transition and overlap. The transition from an architecture of ya-ya to one that offers architecture at a Great Value is the now..."


http://www.critiquethis.us/2010/01/19/no-ya-ya-people-want-architecture-at-a-great-value/#more-1758



no YAYA!

Working For The Mayjah Starchitect

".....Where I still remain the most surprised about is the chaos at the office, the rubbish and the inefficient way in which certain things are arranged. And while SANAA has become so famous for their bright shapes and simple solutions, which gives a lot of light and transparent materials are used. What a contrast with their own desk......”

http://stashpocket.wordpress.com/2008/02/18/working-at-sanaa/

2010 Pritzker Prize: SANAA


!!

no ice-cape for polar bear

20100328

The Tote, Mumbai.

Tote_Fin_09

Tote_Mod_01

The visual impact does create the atmosphere..





Construction of branching system... i guess it should be really optimum in loading!
http://static.dezeen.com/uploads/2009/12/dzn_The-Tote-by-Serie-Architects-21_1000.gif


Banqueting hall, Restaurant & Bar
Location: Mumbai, India.
by serie architects

20100327

Michael Wolf






so many of the iconic pictures about hong kong was taken by this german photographer, michael wolf.

we got screwed!

image it did capture a moment of emotion, atmosphere or instantaneous behavior... but it can neve tell an experience. we trust our eyes but actually we are blind.

20100315

! moment



20100314

SOFA-DRESS

http://www.maezm.com/project/sofa-dress/sofa-dress_01.jpg

'sofa-dress' is a job of space design and a suggestion of furniture design. The act of putting on the clothes of the “sofa” on the existing chair in itself makes the previous object become a little more cushiony furniture and it also can achieve an intention as a unified space with the same cuticles.

http://www.maezm.com/


20100311

Sven Ivar Dysthe













The unseen.....!:











ok, here we go.




20100306

Banana Wall

Banana Wall


At the opening of our exhibition at Deitch Projects in New York we featured a wall of 10,000 bananas.
Green bananas created a pattern against a background of yellow bananas spelling out the sentiment: Self- confidence produces fine results.

After a number of days the green bananas turned yellow too and the type disappeared.


Stefan Sagmeister


i wonder how would it smell! great!

20100225

!!!




The screens move apart in response to the static charge of visitors walking between them, returning to their positions once people have passed.

by SpaceOperaForm